Bob Landström works at the charged threshold between science and art, where physics, metaphysics, and material reality collide. Known for using the Earth itself as his medium, most notably pigmented volcanic rock, his works pulse with gritty, elemental surfaces shaped by both invented tools and experimental processes that merge sound, light, and electromagnetic fields. Driven by relentless curiosity and deep research, Landström creates immersive works that feel less like objects and more like encounters with reality in the act of becoming.

Hail Holtzclaw is an Atlanta-based painter whose work examines how mass media, image circulation, and realism shape how subjectivity is formed and fractured. Working primarily in oil paint and charcoal, she treats painting as a recursive space where flat images destabilize, accumulate, and slip between signs, projections, and doubt, asking what realism can still accomplish now. Through layered, unsettled compositions, Holtzclaw transforms mediation itself into an aesthetic experience, inviting viewers to confront how identities are constructed through repeated encounters with images.

Hannah Hooper is an American visual artist and musician whose dynamic paintings channel the restless energy of mark-making into vivid, immersive scenes that often depict submerged figures and crowded spaces teetering between comfort and tension. A graduate of Parsons School of Design, she has built a multifaceted studio practice in Los Angeles that integrates her work as frontwoman and art director of the band Grouplove with her deeply intuitive, large-scale painting and drawing, bringing the same physicality and visceral instinct to both art forms. Hooper’s work invites viewers into a kaleidoscopic world where emotion, gesture, and the subconscious converge on canvas in bursts of color and motion.

Leah Grace Craig is an Atlanta-based figurative painter whose ethereal oil paintings conjure dreamlike worlds where women drift through clouds, flowers, and symbolic creatures. Rooted in subconscious exploration and inspired by the misty landscapes of her Appalachian upbringing, her work balances softness and serenity with darker undercurrents of grief, resilience, and feminine power. Blending classical technique with contemporary symbolism, Craig’s paintings invite viewers into liminal spaces where beauty and unease quietly coexist.